Understanding is very important for understanding the word "realm" in people’s ci-poetry. Although when Mr. Jing ‘an commented on the terms of ci-poetry, its meaning was different in Buddhist scriptures, but its emphasis on feeling characteristics was the same. It can also refer to external feelings, and it is also the same in feeling. Its meaning should be that anyone who can truly express his own perception realm in Chinese can get the same real feeling. If he wants to achieve the realm, he must first feel the object he wrote. The object can be either the external scenery or the feelings, the real realm can be heard and heard, or the imaginary realm can emerge in the consciousness, but in theory, it must be called the realm of the real feelings, which is the imitation. Although the external scenery is written in pink and green, the emotion is still the realm. This Mr. Jing An is also special

Therefore, the true feelings of the scenery can be called realm, otherwise it is called realm
In fact, it means that you must really feel the feelings of the scenery, which is the first condition in the realm of desire
Although some people really feel it, they are suffering from the inability to express their feelings. The method will be expressed in the words of Lu Ji’s prose. It is said that the constant suffering is not to say that the words are not enough, and it is difficult to understand the difficulties. After the real feelings, it is necessary to express the words truly. Mr. Jing An said again
The branches of red apricots are full of words in the spring, but the realm is full of words.
After careful comparison, we will find that if the word "make fun" is replaced by a general verb or a formal word, these two words will become a rigid description or recording of the external scenery, and then the poet’s vivid and true feelings about those scenery will be expressed, which is a kind of my experience. Mr. Jing ‘an said this word, and then this expression ability is the second condition of the realm of desire. First, he must be able to truly recognize the feelings of the object he wrote, and then he must have the ability to express these feelings. Therefore, Mr. Jing ‘an can become a good foundation condition at the end of people’s words.
The highest realm of words becomes Gog’s famous sentences
What he means is that speaking words should be able to express the best personal realm through external experience, and then Gog will produce famous sentences. The realm is a good word base condition. This should be the root theme of Mr. Jing ‘an’s realm theory, and it is also the first important concept to be clarified when we discuss the realm theory.
In addition to obtaining the etymological meaning from the word "realm" in Buddhist language, we can also find other meanings from the word "realm".
First of all, from the perspective of exegetics, Xiao Yaotian’s music can be said to be the ultimate, but the word "Jing" is actually explained. When it extends the meaning of the realm, we should actually say that the word "Jing" is a reference in the exegetics of literary circles.
Actually, today’s music is extended to every side, which is called boundary, speech and painting, and painting is also like Tian Sijie 13.
From the exegetical meaning of this painting boundary, the word can be roughly accepted in general literary criticism. One refers to a realistic boundary, and the chapter of bitter gourd is still painting quotations. Three layers and two paragraphs mean that the picture is one layer of mountains, two layers of trees and three layers of waterscape. The mountains are separated in the common cloud and made into two sections, and the realistic boundary is divided into two fingers. In terms of Liu Gongyong’s seven poems, the boundary is not poetic, and the cloud boundary is also an abstract boundary, which means poetry. In terms of expressing accomplishment in three fingers, Shen Deqian’s Qing poetry is unique. On Xie Fangshan’s poetry cloud, it is the most difficult to be satisfied with this situation. 16 means accomplishment. In terms of writing emotional scenery in four fingers, Lu Gan Yue Jian Tang’s poem sequence, Yun Shencai’s love poems explore the situation, and mountains and vegetation poems borrow the external environment. 17 means writing emotional scenery in terms of writing.
The meaning of the word benchmark realm is different in all kinds of legal person ci-poetry, but it is also very helpful for us to understand these kinds of laws, because in one word, the word "to realm" in human ci-poetry is really severely criticized, and when Mr. Jing’ an comes, he also follows the general customary law. Moreover, when the word realm is criticized, it often has multiple meanings of various customary laws. Now we will help the general customary law with the word "realm" in human ci-poetry. Let’s look at the sixteenth cloud realm, the second poet realm, and the ordinary people realm. This realm lunch refers to an abstract realm in general, and the twenty-sixth cloud has to go through three realms in order to achieve great things in ancient and modern times. This realm lunch refers to various stages of accomplishment, 18 and 51. Clouds and moons shine on the snow, the Yellow River hangs day and night, and the yen falls. This realm lunch here refers to the description of scenery. All these kinds of Mr. Jing An are based on the general usage of the word realm. Secondly, as far as the special terms of the word "realm" are concerned, we analyzed that Mr. Jing ‘an chose this word to pay special attention to the fact that he can truly and vividly feel the expressive characteristics, and this feeling is also in terms of feelings and scenery. The word "realm" covers the general meaning of feelings or scenery, and its feelings or scenery have been expressed in the middle, of course, but also generally refers to an abstract boundary meaning. As far as it can measure the benchmark of an artistic achievement, it certainly also contains a certain stage or level, which means that all these are the special terms of the word "realm" are the general idioms.
From the analysis, Mr. Jing ‘an chose this word, which is both common and common, to comment on the special terms of Ci. It is both its strengths and its shortcomings. First, this choice is in line with the common practice of China literati when choosing words. Although its meaning is ambiguous, it is still easy to read, admit and accept the second choice. However, this extremely short critical term is rich in many aspects through its common practice, which can not only summarize all kinds, but also serve as a benchmark for measuring different artistic achievements Two points can be said to be Mr. Jing ‘an’s realm. The advantage of commenting on the word is that it can also be divided into two points in terms of its shortcomings. The word first realm has been repeatedly interpreted by many predecessors, so when Mr. Jing ‘an criticizes a special term, it will easily cause readers to make different guesses and explanations, so it will not lead to all kinds of misunderstandings. Second, Mr. Jing ‘an’s criticism of the word realm is not limited to a special term, but also a method. At the same time, it is also used by general idioms, which of course increases the reading. There are two difficulties in understanding the word "Jing ‘an". It can be said that Mr. Jing ‘an chose the word "Jing ‘an", and the shortcomings of its critical terms lie in these reasons. We must evaluate the word "Jing ‘an" when reading people’s Ci-Hua. The special law may be attached to this critical term in different situations. The multiple meanings of the word "Jing ‘an" can be clearly understood and distinguished, so that we can have a more accurate understanding of the theory of Jing ‘an in people’s Ci-Hua without confusion and misunderstanding. This should be the most basic understanding when we discuss the practice of
Second, some other problems in the realm
After we have a basic understanding of the meaning of the critical term "realm", we can further discuss some other issues of realm in people’s ci-Hua. First of all, we want to discuss the problem of my realm. In the third part of people’s ci-Hua, Mr. Jing ‘an once said two different things.
I’m in my hometown, I’m in tears, I’m asking flowers, I’m not talking, I’m flying over the swing, I’m going to be lonely, I’m closed in the spring, I’m cold, I’m in the cuckoo, I’m setting the sun, I’m picking chrysanthemums, I’m leisurely seeing the cold waves in Nanshan, I’m in Bai Niao, I’m in my hometown, I’m looking at things, so I don’t know what I’m doing, but I can’t write about my hometown
In the fourth rule, it is added that there are two different clouds
People in my environment are only in silence, and my environment is beautiful and strong because of movement.
Mr. Yu Jing ‘an’s "I-I say" has caused many controversies in the past to explain me. For example, Zhu Guangqian used to be a special Wang in his poetic theory-Chapter 3, poetic realm and interest images. I said that Wang refers to a very subtle difference, but from the perspective of modern beauty, Wang’s noun seems to be waiting for business, so Zhu became a saying of "I am in the same place, I look at things, so things are all about me", and he explained that modern beauty means empathy.
Empathy occurs because when I concentrate on things, I suddenly forget things and I am the same, so I shift my interest to things, in other words, empathy is the living of dead things or the emotionalization of emotional things
This kind of state is called the same thing in Zhu’s mind, but Zhu is in my territory
The poet recollects the wonderful scenery calmly without empathy.
According to Zhu’s meaning, this realm should be called super-physical realm.
From the narrative point of view, we can’t help but praise Zhu for being a subtle difference. However, Zhu’s explanation of Wang’s identity and transcendence is not in line with this. We need to give some examples to prove that Wang raised two cases of my home, asking for flowers in tears and flying over the swing to the lonely pavilion, closing the spring and cold cuckoo, setting the sun, and a tearful sentence can barely explain that the poet regards flowers as the same thing because of empathy. However, the latter case can be closed in the lonely pavilion and setting the sun in the cuckoo, which is really true. I don’t see anything obvious and I haven’t regarded the cuckoo’s setting sun as the same physical environment, but these two cases all belong to my physical environment in Wang’s theory. It can be seen that Zhu said that the same physical environment is really different from Wang’s saying that my physical environment is not the same as Wang’s words. The fourth point is that the formation of my physical environment was particularly manifested in the middle process, but its feeling was grand and strong. However, Zhu cited several examples of the same physical environment in his poetic theory. Although Shang Lue Huang Yuyu regarded several peaks as their feelings, he really couldn’t see what was caused by the dynamic and static process.
In addition, people also explain me subjectively and objectively. In his essay on Chinese, Xiao Yaotian said that Ceng Yun Wang’s view of things seems to be subjective and my view of things seems to be objective. 1. Because Wang once said in the third essay on people’s words that the ancients wrote about my environment but could not write about my environment, the heroes could establish their ears, so they recognized Wang’s view of my environment as the highest level of the article. However, after such explanation, Xiao immediately found a contradiction. Because Mr. Jing’ an came to talk about subjectivity and objectivity in people’s words.
The poet was born in the deep palace without losing his heart, so he was longer than a woman’s hand, which is the weakness of the late master, that is, the poet’s strengths are indispensable, and the deeper the world is, the richer the materials are, the more varied it is. The Dream of Red Mansions is also a subjective poet, and the shallower the world is, the more true his temperament is. Li Houzhu is also
So Xiao nai criticized Mr. Jing’ an and said
He praised me objectively and suppressed me subjectively, and at the same time he praised the subjective and suppressed the objective. I happened to be a spear attack shield 3.
I don’t know that Wang said that I am different from the subjective and objective. Xiao recognized that the contradiction came to an end because he had misunderstood the subjective and objective.
From the discussion, we can see that Wang said that I am really different from Zhu’s saying that I am the same thing, but also different from Xiao’s saying that I am subjective and objective. So what exactly does Wang mean when he says I am me? In order to answer this question, we have to go back and explain these two concepts. When Wang talked about these two concepts, several definitions are extremely noticeable. One is that I look at things, so everything is colored by me, so I don’t know what I am. The other is that people in my environment are only in the static state, so they get beautiful and strong.
In the previous section, when we discussed Mr. Jing ‘an’s essays, we discussed that he was influenced by Kant’s uncle Hua Zhe to form a beautiful concept, and in his uncle Hua Zhe’s education theory, we described the difference between beauty and grandeur.
Today, things make people forget their interests and never tire of saying that they are beautiful feelings. If they are directly detrimental to our will and our will is broken, we can only meditate by knowledge, and our thoughts are called magnificent feelings.
From this point of view, he reveals me, and I say that we will understand him. When we say that we come here, we mean the state when our will and external objects have some opposing interests, while our state refers to the state when we have lost our will, so external objects have some opposing interests. We can try to take him as an example to illustrate this explanation. He called my words "My eyes are full of tears, my flowers are silent, my eyes are red, and I flew over the swing, but I was lonely, closed in the spring, cold in the cuckoo, and I could see that my external objects had some opposing interests." Words and phrases in my realm are cold and wave, and when you see Nanshan leisurely in Bai Niao, you can see that my external objects are not opposite. When the external scenery is not beneficial to me, the realm is in my realm. In my realm, I have the opposite of things, so I have the opposite of things, and things have reached a state of vanishing. It is the view of things, so I don’t know if it is my realm or my realm. When it is written in China, it must have been calmly observed by the poet. It is desirable to have the opposite of my interests. When I was in peace, I had a conflict of opposites. Only when I was writing did this conflict get the poet’s calm attention. He said that I was in peace because of the conflict between things and interests in my territory, and its aesthetic feeling mostly belonged to the grand and strong category, while in my territory, there was no conflict between things and me, and its aesthetic feeling mostly belonged to the beautiful category. Therefore, it can be seen that Mr. Jing ‘an’s two realms were really divided by aesthetic judgment according to Kang Deshu’s theory of beauty.
Generally speaking, Zhu Guangqian said that the difference between the subjective and the objective is different, and we will find that Zhu Guangqian’s difference between the subjective and the objective originated from Lipps’ empathy in the United States. 4. In terms of subjective and objective, it is an attitude towards creation. In terms of these statements, I am different from Kant’s uncle in terms of the nature of the aesthetic root. For example, Zhu Guangqian’s number of peaks and sorrows, Shang Lue’s twilight rain, and so on. In terms of Lippesme’s appreciation experience, it is because feelings move into foreign objects and bring them to life depending on the situation, which can be called the realm of the same thing. However, as far as people’s ci originated from Kant’s theory of beauty and beauty, there is no conflict between my will and things in these two sentences. Therefore, this realm can never be regarded as a grand and strong one, but people’s ci and words can be compared to the lonely pavilion, which is closed in spring and cold, and the sunset in the cuckoo. Although empathy produces the phenomenon of bringing foreign objects to life depending on the situation, it seems that his writing in the lonely pavilion, spring and It clearly shows the conflict of opposites between my things. Although this realm is not the same thing, it is definitely me, but it is different from me. Isn’t it obvious that there are two poems in people’s ci, that is, picking chrysanthemums and leisurely seeing Nanshan, that is, I pick chrysanthemums, that is, I see mountains, that is, I see yes and no, that is, these two poems are really subjective in terms of their attitude when writing. However, in terms of the conflict of opposites between things and me, these two poems are beautiful in nature in terms of Kant’s uncle’s beauty. My realm and MrIt still belongs to my realm. Because of this, Mr. Jing ‘an once said in his commentary on a dream of red mansions that the magnificent part is more than the beautiful part. However, the subjective and objective are absolutely different from mine. Isn’t it obvious to me?
When we can clearly distinguish the subjective and objective differences between me and my righteousness, we can further discuss these other two issues. One is that people say that the ancients wrote about my realm, but they couldn’t write about my realm. In fact, this statement is a kind of saying in Zhu Guang’s latent poem that Wang is above my realm. Misunderstanding Mr. Jing ‘an should have no sense of grandeur for my two realms. We should take a look at his love for Li Houzhu, a poet in a dream of red mansions who belongs to the magnificent category in my novel. This proves that he is by no means a person who emphasizes my environment and despises it. However, he actually wrote that my environment can be established by heroes, which of course easily leads to general reading doubts and misunderstandings. However, if we think deeply, we will understand that this statement is really derived from the will of uncle Hua, the philosopher of uncle Shu, and the philosopher of uncle Zhu Gai recognize that the world is not subject to will. Driven by the will and slaves, the highest thought of his philosophy lies in the extinction of will. From this kind of philosophy, of course, we will feel that most of the essays are nothing more than the expression of will and desire. Therefore, it is often the opposite of things into my realm. If I can be detached from the will and express my realm, of course, my uncle’s philosophical words can be regarded as a hero. This kind of praise is really the evaluation of the essays from the standpoint of my uncle’s philosophy. This is the first question we should distinguish.
In addition, the word I is really for the convenience of argument. With this word, I have no conflict of opposites, so I have to wait and see a realm of foreign objects. Although this realm is called me, the owner of viewing foreign objects is still my situation. In the previous analysis, the word "realm" was used to express the real feelings, which is more obvious. Mr. Jing’ an once said in the tenth deleted manuscript of People’s Words.
The ancients talked about poetry, scenery, language and sentiment, but they didn’t know that all scenery and sentiment were also sentiment.
That is to say, he cited two examples to see Tao Yuan picking chrysanthemums in Dongli and seeing Nanshan leisurely. The description of the word leisurely has already revealed the sentence behind this poem, which says that it really means a feeling, and the words of Yuanhao asking about cold waves and Bai Niao leisurely have already revealed the two words of leisurely behind this poem, which describes dynamic leisure and a leisure feeling. Ye Ding’s theory of leisurely realm has also revealed these two examples. On the surface of these ten words, it is by no means a good place to describe chrysanthemum picking or Nanshan scenery. It is a general saying that such a thing means that one feels and says that the cold wave rises in Bai Niao’s two poems, and so does the cold wave Bai Niao. It means that the scenery rises in a leisurely way, but it seems to mean the scenery, but in this scenery, one’s subjective feelings are not lost. This subjective feelings are also meant to be read and pondered. Therefore, it can be seen that I won the bid in people’s words by this word.
I will never, Wang. My boundary is too arbitrary. I should forget myself.
This statement is really due to Xiao’s unclear understanding of the word Wang and I, which is another problem that we should distinguish.
It is very important for us to understand the realm of people’s words and phrases, so that we can really understand them without trying to explain the same things or subjectively and objectively.
Except that we discuss my two realms, the outsider’s words have also created and written the realm separately. The second cloud of two different people’s words.
It is quite difficult for the two schools to be realistic when they create the environment and write the environment, because it is necessary for great poets to create the environment and write the environment, and it is also necessary to be adjacent to the idea.